I know that each time I play these discs I find something that I had missed on the last listen. This is a sound body of work, one that should not be dismissed as it centers around both Bob Dylan and The Band, so if you are a fan of either or both you will want this release.
How could I forget Towa Tei, the prototype of crazy japanese deejay who was behind Dee-Lite's Groove Is In The Heart, a monster of a song that was to the 90s what Pump Up The Volume was to the 80s. But as I considered his 90s solo albums too FM-friendly for this blog, I had to dig deeper for some real gems. Stupid Fresh was 7-track collection of fine house and d'n'b remixes accompanying the release of Towa's second album Sound Museum.
It was released separately in Japan, however this rip comes from the 1998 German reissue so that Towa's remix for EnVogue got chopped out due to licensing problems. Mp3 I 320kbps I 41 minutes I 94mb I link in comments.
Also keeping in line with previous releases (for 1998's Sound Museum, Tei worked with Kylie Minogue and Mos Def, among others), the vocal contributions on Last Century Modern are numerous and varied. Ayumi Tanabe gives a superb performance on 'Butterfly', and Chara sounds almost identical to Kahimi Karie on 'Let Me Know'. Sound Museum Towa Tei Rar Download. No upcoming events.
NewTek LightWave 3D® is a complete 3D solution to model, render and animate. Used extensively in television and film production, video game development, print graphics and design, LightWave artists have won more Emmy® Awards for visual effects and animation than any other CG artists. To get full access to the site e.g. Deposit funds, download files you have to create an account. You will get 2 track for free after confirming your account!
I’ve been having a hard time of late figuring out what to write in this space right here. One thing that I’ve always taken pride in is that my site isdifferent, I guess? Any asshole can put up a bunch of MP3s ripped from vinyl, steal some copy from Wikipedia and give themselves a blog post (.cough. burning the ground.cough.).
I’ve always aimed to be a bit more than that, not only in terms of music writing, but in terms of just sharing my thoughts. It’s always been important to me that this is as much a blog as it is MP3s. But yo, life has been a real motherfucker as of late. And as much as I want to contribute to the current political discussion and showcase my utter contempt and hatred for Trump at every possible moment, I really don’t know what to say aside from “fuck that guy I hope he gets cancer and dies.” And while that feels good for me to get off my chest every now and then, it’s not really all that constructive, is it? Maybe I’ll recommend some lesser-known non-profits to donate to? Dedicate a blog post to areas where you can contribute your resources to help those who need it?
Or just provide a thesaurus of swear words so you can find more ways to describe Trump aside from “motherfucking cocksucker.” Although, if it ain’t broke Towa Tei Sound Museum (Haruomi Hosono Remix) Time After Time (Blaze Remix) GBI (Latin Narrow Light) (Lisa Carbon Remix) Higher (Appaloosa Remix) Happy (DJ Die Remix) BMT (Bizzy B & Pugwash Remix) It took me a while, but I’m finally falling headfirst into a Towa Tei hole (ew, that came out wrong). I think me and him got off on the wrong foot. I started out with his first album, and it just wasn’t my thing. Since then, I jumped forward about 15 years to his more recent stuff and really fell in love with it. I can’t recommend his newest record, Emo, enough.
It’s a fantastic collection of dance-pop, picking up where Metafive left off in some really fun and exciting ways. I also highly recommend his 2013 album Lucky, which features the amazing title track and “Radio,” the latter of which was remade as a Metafive track a few years later.
Really fantastic, upbeat super-fun pop music that just doesn’t get old. These tracks are from the mid-90s, and very much sound like it. This is the Towa Tei who was in Deee-Lite, not the Towa Tei who crafts perfect pop songs today. That’s certainly not a knock against these tracks, it’s just to say that they sound dramatically different than his new stuff. Of this bunch, my hands-down favorite is the last one. Got that Biz Markie, that Mos Def and an amazing rolling drum and bass backdrop that just kicks my ass all over the place. Prince We’re just one month away from the release of the massive 3CD+DVD super deluxe edition of Purple Rain, and I’m hella stoked.
I was reading impressions when it was first announced and was surprised by the negative response. Sure, it could have more, but that goes without saying; Prince was an insanely prolific artist who never stopped recording. I’m sure Warner Bros. Could fill a 10CD box set of recordings made during the Purple Rain sessions, but that doesn’t mean they should.
I’m happy for an abridged 3 disc set featuring a handful of unreleased material alongside hard-to-find classics like the “God” instrumental and extended versions of the album tracks. And the concert video (and it’s a video, hence no HD so don’t complain) should be incredible. I’m negative about enough stuff right now, I refuse to be negative about this.
Now, if Warner Bros. Never gets around to re-releasing the Prince side-projects like Madhouse and The Family, then I’ll get pissy. “Purple Medley” was originally released in 1995. It was a single release only, it did not appear on any proper album. The B-side, entitled the “B Side Remix,” has no actual B-sides on it. So you explain that one to me.
I originally posted this track nearly seven years ago (holy hell) but that was taken from an very scratchy vinyl. This is from the CD.
So even if you downloaded it back in the day, you’ll probably want to download this one to replace it. Really quick,. Check it out if you like worthless cultural ephemera from the 1970s. Also, in absolutely horrible news, Michiyuki Kawashima, the lead singer of Boom Boom Satellites, has passed away. He was 47 years old and leaves behind a wife and two children. His music touched me in a way that little else has.
I already wrote two soliloquies on his band back when they had to call it quits due to his condition, and one at, and I feel that if I wrote more I’d just be repeating myself. I’ll just say that he’ll be missed, his music was a gift to this planet, and I hope you get the pleasure to hear it if you have the chance. Some big music geek news this week, Warner Bros.
Announced that they were going to “open the Prince vault” and for a new release. When I saw headlines for this, I was stoked. What were they going to include? Lost Camille tracks? Cuts from the original Dream Factory sessions? The Undertaker album? Any tracks from the numerous live albums that Prince recorded and never released?
Nah, instead they cobbled together another greatest hits compilation and stuck one unreleased track on it. Because in a world that has The Hits 1, The Hits 2, The Very Best of Prince and Ultimate Prince, what we really needed was another damn greatest hits album. I get that they wanted to put something together for the holiday shopping season. I mean, it’s crass, unnecessary and kind of insulting, but I get it.
But did they have to be so damn lazy about it? If they didn’t want to go through the bother of digging through unreleased material, the least they could’ve done is thrown in some more out-of-print B-sides or remixes to tide over the die-hards. A disc of “the hits” and a disc of rare tracks seems like it would’ve been a best of both worlds. We already have two, 2-disc Prince compilations.
We don’t need a third. We need funky jazz instead!
Madhouse 10 (The Perfect Mix) (The Perfect) 10 Ten And A Half 2 6 (End Of The World Mix) 6 6 And A Half As I said when I first wrote about Madhouse back in 2013, this group is one of three Prince associate acts that was more-or-less just Prince, the others being The Family and Mazarati. Unlike those acts though, which are very much pop groups, Madhouse was jazz fusion/funk. As such, and with Prince’s involvement in them not made obvious on the album jackets, no one bought them. That includes me, I’ve never heard a Madhouse album proper.
All I have are these two singles, which feature a handful of album tracks from the first album, a few remixes, and a couple b-sides (the “half” tracks). Madhouse tracks didn’t have names, just numbers, by the way. While a lot of (deserved) attention has been placed on the unreleased Prince stuff out there, like I wrote back when Prince first passed away, I really wish Warner Bros. Would get their shit together and put stuff like this back in print too. A best-case scenario would be some kind of Madhouse box set that includes both their albums, the b-sides and singles, and both versions of the unreleased third album, 24. However, I’d be happy with just the original albums back in print. So would a lot of other people, I assume.
Fucking Warner Bros., no wonder they drove Prince crazy. Fuck this year. As I’ve commented on this site many a time, I’m a pretty lousy Prince fan. I only have Purple Rain, the three-disc edition of Hits, and a few of his newer albums. I don’t own 1999, Sign ‘O’ The Times, Lovesexy, Parade, Come and so on.
I’ve often mentioned my desire to fill this rather egregious gap in my record collection, and I think now I might finally get around to it. That being said, I own a shitload of Prince singles, both on CD and vinyl, and many of them are among my most prized musical possessions. Sometimes I just need nearly half an hour of “My Name Is Prince” remixes, and thankfully I can indulge in such ridiculousness. I just wish more people could. When Bowie passed away, I shared a few of his rare tunes here, and I was happy that doing so such was a chore. The overwhelming majority of Bowie’s discography is not only in-print, but incredibly easy to get in pretty much every format available.
Most of his single-only tracks have been collected in one form or another, and his rarer B-sides and remixes have made their way to digital storefronts or in box sets. You want to hear the Mandarin version of “Seven Years In Tibet?” Yo, you’re covered. But if you want to hear the 12″ remix of “My Name Is Prince,” you’re out of luck. Ditto if you want to hear the beautiful 10 minute versions of “Mountains” or “I Would Die 4 U,” countless remixes of “Gett Off” or filthy rarities like “Lubricated Lady.” It’s hard to say what will happen with Prince’s back catalog now that he’s passed away, we’ll have to wait and see.
But I hope in the years to come that Prince’s vast army of released material will get a proper remastering and re-release campaign, all of his music, even the eight minute Purple Pump remix of “Gett Off,” for example, deserves to be heard. Let’s hope they crack open that legendary vault too. And someone put that album by The Family back in print for fuck’s sake. Prince Erotic City (Full Length Version) Let’s Go Crazy (Extended Remix) In the massive pantheon of out-of-print Prince classics, these to spectacular remixes are probably some of the best. I can’t believe you can’t buy them today. I guess I shouldn’t be all that surprised by that fact though, as they seemed to have barely been in print in the first place. Both the extended remix of “Let’s Go Crazy” and the full uncut version of “Erotic City” first appeared on a 12″ single in 1984 at the height of Purple Rain mania.
In the years that followed, that single was only reprinted on CD once, in 1990, but that hard-to-find European release excised the uncut version of “Erotic City” and instead only included the album version of “Take Me With You” as a B-side. “Erotic City” has made its way to a few other releases over the years, but always in some sort of abbreviated form. The full version that first appeared on that 1984 12″ single is over seven minutes in length.
The version that is included on the Hits compilation is only a little over half that, clocking in at an all-too-brief four minutes. That’s three minutes of funk stripped away from people who need to hear it. It’s a damn shame because, and yes I know that my Prince knowledge is criminally lacking, I think that the full uncut version “Erotic City’ is one of Prince’s best tunes. A sparse, ferociously sexy electronic funk jam that sounds just as sexy now as it did over 30 damn years ago.
Like I said, I have a ton of Prince singles, and I may share more in the coming weeks. Unfortunately, many of them aren’t in the best shape, so I need to do some sorting first. Until then, enjoy this small offering and remember Prince in all his purple majesty. And then buy HitnRun Phase One and Two, and Plectrumelectrum. Critics destroyed that album when it came out, but they were crazy. Even after I absorb the rest of Prince’s discography I imagine that one would still make my top 10 list.
It’s raw as fuck and completely in your face. It has a song that compares a threesome to a pretzel. And it works. Because Prince could even make pretzels sexy. Note: The “Let’s Go Crazy” mix was removed as you can buy that on the Prince compilation Ultimate. Ever have one of those nights where you’re sitting in a Japanese fast food curry shop in a suit with a pink tie, contemplating the significance of your life and the things you hold dear when you suddenly discover that the best-selling album of 1989 was Bobby Brown’s Don’t Be Cruel and that fact forces you to doubt everything you ever thought you knew about how you view the world? Prince Space (Universal Love Radio Remix) Space (Universal Love Remix) Space (Funky Stuff Remix) Space (Acoustic Remix) Space (Funky Stuff Dub) Prince never fills me with doubt.
He just fills me with funk. Okay, that came out wrong.
Space was a single off of the Come album, and I would be lying to you if I claimed to know anything about that record outside of what’s on the Wikipedia page. I really need to expand my Prince knowledge. I only own Purple Rain, 1999, a greatest hits and a shitload of singles.
I’ve also bought his three most recent albums, two of which ( PLECTRUMELCTRUM and HitnRun) are actually really fucking great. I recommend them. This song is good.
We need more intergalactic funk. Liv Warfield The Unexpected (Live At Blue Note Tokyo) Speaking of Prince, Liv Warfield is a Prince protege. You can tell because the cover to her latest album, the amazing The Unexpected, has a purple tinge to it. Seriously though, Liv is an amazingly powerful singer, and the fact that she’s failed to breakthrough at all is downright criminal. “The Unexpected” is an incredible tune (written by Prince), and this live version taken from the Japanese release of her album really showcases how damn amazing her voice is.
And if this track sounds familiar to you, it’s because Prince recorded his own version for the previously mentioned PLECTRUMELCTRUM album. His version is called “Wow,” which is funny as the chorus of the song is “you can call it the unexpected or you can call it wow.” I guess she chose to call it unexpected.
He chose to call it wow. I bought another Hulk Hogan album. At least, he’s on the picture disc.
Stay tuned for the horrors I might find within. Prince Whenever I buy a Prince single I end up being entirely blown away by the everything of everything on it. I really need to buy more Prince albums. This remix of “Mountains” is ten freaking minutes long. That’s 10 minutes of Prince at peak funk.
Be careful while listening to it, that much Prince peak funk has been known to cause injuries. “Alexa De Paris” is a guitar solo by Prince.
If you need more information that to download it then I don’t know what the fuck is wrong with you. Ryuichi Sakamoto & Robin Scott I’ve talked at length about Sakamoto on this blog before, so I’m not going to say anymore about him. But I assume most of you don’t know who Robin Scott is.
At least, you probably don’t know him by his actual name. Robin Scott is the dude behind the group M, meaning he is the person who brought us “Pop Music.” And now that song is stuck in your head and I apologize.
I don’t know how this collaborative effort with Sakamoto came to be, but I do know that it birthed a complete album, and not just the 12″ single from which I grabbed these tracks. I’ll have to find that sometime, as these songs are quite good.
They kind of sound like mid-era Japan, which is not surprising at all, as Scott is doing his damnedest David Sylvian/David Bowie impression on these tracks. I went to a horribly bad “game music” concert last week and.
Read it and be flabbergasted at how badly an organization could fuck up something that seems like such a no-brainer. Then get purple and funky with Prince. Prince Gett Off (Urge Mix) Gett Off (Urge Dub) Gett Off (Flutestramental) Gett Off (Thrust Mix) Gett Off (Thrust Dub) Gett Off (Rosie’s Dub) Gett Off (Urge Single Edit) Gett Off (Purple Pump Mix) Gett Off (Housestyle) I want to buy every single Prince album. Every single one. And then rank all of his songs in order of horniness. Even modern day Jehovah’s Witness Prince is a tiny purple horndog. His new song “PRETZELBODYLOGIC” is about a threesome that was so hot the people involved can’t defend themselves from being robbed.
At least, I think it is. I don’t know, maybe I’m taking the lyrics too literally – but it’s definitely about boning. Of course in terms of horny Prince songs, “Gett Off” is kind of the king.
A few weeks ago I featured “Get Off” (notice the singular “t”) which is a pretty sex-fueled little number, but it can hold a lubricated candle to it’s misspelled cousin here. For any other artist this would be the most sexual single of their career, but for Prince, who released tracks like “Let’s Pretend We’re Married,” “Do Me, Baby,” “Do It All Night” and “Little Red Corvette” (spoiler: the title isn’t about a car) it might not even make the top 10. So here we are with nine mixes of the track, because why the fuck not.
The dubs and instrumental mixes are interesting, but I’m only including them for the sake of being a completionist. The “Urge” and “Thrust” mixes are good, and definitely worth repeated listens, but they’re not as intense as the original version as they strip out the hard and heavy industrial beat that made the that such a powerful tune. That’s why the “Purple Pump” remix is probably my favorite of the bunch, as it’s just an extended version of the original. The first six mixes are taken from a 12″ promo single I scored in Chiba few weeks back, while the remaining three are from a CD single. Additional Prince incoming soon.
His name is Prince. And he is funky. And from what I hear he’s rather finicky too. But “My name is Prince, and I am rather finicky” isn’t a good lyric. Prince The Most Beautiful Girl In The World (Beautiful) The Most Beautiful Girl In The World (Staxowax) The Most Beautiful Girl In The World (Mustang Mix) The Most Beautiful Girl In The World (Flutestramental) The Most Beautiful Girl In The World (Sexy Staxophone And Guitar) The Most Beautiful Girl In The World (Mustang Instrumental) I’m on a big Prince kick right now, thanks largely to his two new albums, well mostly just one of them. Because while Art Official Age is pretty good, PLECTRUMELECTRUM is fantastic, easily one of my favorite records of the year.
Prince’s guitar work on the album is otherworldly, and it has some of his best songs in decades. “PRETZELBODYLOGIC” is the hottest song ever named after a baked bread product, that’s for sure. You should buy that record. Prince’s two new albums are also noteworthy because they’re his first albums with Warner Bros. Since 1996, and supposedly signal a new relationship between the artist and the label that will see the re-release of all his old albums complete with bonus tracks. First up on the docket will be Purple Rain, and oh my god a 3CD deluxe edition of that album just might kill me with awesome.
Although if they fuck that up I might kill someone. Anyways, “The Most Beautiful Girl In The World.” These mixes are from a 1994 EP entitled The Beautiful Experience. As the title suggests, its nothing more than various mixes of “The Most Beautiful Girl In The World,” the six remixes I’m including above, as well as the single version. Does the world really need six remixes of “The Most Beautiful Girl In The World?” Eh, probably not. But I’m in a Prince mood so here’s Prince.
Expect more Prince soon. What were the odds?
Madonna Why’s It So Hard Live Secret (Junior’s Luscious Single Mix) Bedtime Story (Orbital Mix) Fever (Hot Sweat 12″ Mix) Human Nature (Love Is The Nature Mix) Express Yourself (Shep’s Remix) Friday was the first really nice day in Tokyo since the beginning of August (when it gets to the mid-90s Fahrenheit with a humidity of approximately 100000%). High 70s temperature, nice wind, survivable humidity.
Just all around beautiful. So I went for a nice three and a half hour walk, give or take. The compulsive collector’s guide to losing weight. Download audi radio code keygen crack. That’s what I call my exercise plan. If I want to go shopping for records or CDs that I have absolutely no need for, that’s great – but I gotta walk there.
Before the summer heat hit I managed to lose over 50 pounds in five months, and I’m hoping that I can pick up where I left off now that the weather isn’t being an asshole anymore. And while the main winner in this situation is my heart, you all make out too! Because I pass the records onto you. These Madonna tracks are all CD rips, taken from a series of single that I snagged at a Disk Union. Most of these have never been posted on my site before, save for “Bedtime Story (Orbital Mix)” and the remix of “Express Yourself.” I originally posted vinyl rips of them several months/years ago, but these rips sound much better.
Additionally, the “Human Nature” remix is the first version of that song I’ve actually liked. It’s a synthgasm. Prince These are all from the CD single for “New Power Generation.” Remixes of “Thieves In The Temple” are also on the single, but I posted those mixes not too long ago, and I think my vinyl rips sounded fine so I’m not going to replace them tonight.
“Get Off’ is NOT “Gett Off.” Actually, it, along with “Lubricated Lady” are really two additional remixes of “New Power Generation.” They also segue together quite well. “Loveleft, Loveright” also shares some elements with the main single, but it varies it up a lot more. Also, yes, there is a song called “Lubricated Lady.” A song title like that would easily rank as the most offensively stupid in any artist’s back catalog. But isn’t just any other artist, and with song titles like “Pussy Control,” “Scarlet Pussy” and “Soft And Wet” I don’t even know if it ranks in the top ten. Prince is a classy motherfucker. You know how moving is super stressful? Well, take that stress, multiply it by a billion, and you know how it feels to plan a move to an entirely different country.
Sound Museum Towa Tei Rar Files Download
I have so much to do I fel like my head is going to explode and implode at the same time. But nothing makes me calm down like silly remixes to 80s pop music. And while you’re listening to these awesome remixes of awesome 80s music, be sure to head over to Mostly-Retro, where I check out and an. Hopefully this week I’ll also be able to get up a review of the new edition of Bowie’s The Next Day as well as another edition in my oddly popular Collection Recollection series. Madonna Vogue (Club St. John Mix) I plan on re-recording several (dozen) of my singles before I box them all up and ship them into storage.
Among these will probably be an insane amount of Madonna singles. So if you were a fan of my favorite post ever on this site, then you should probably keep an eye for that. In the meantime, here’s a bootleg mix of “Vogue” that I grabbed off of a DJ-only mix LP. It’s a pretty good edit, and seven+ minutes of motherfucking “Vogue” is never a bad thing in my book.
Prince Thieves In The Temple (Thieves In The House Mix) Thieves In The Temple (Temple House Dub) Sign ‘o’ The Time/The Prince Classic Mega Medley The original version of “Thieves In The Temple” is from the soundtrack to Graffiti Bridge. I do not own the soundtrack to Graffiti Bridge because I am not a crazy person. Isn’t Tevin Campbell on that album? That’s why I don’t own it.
Also, I don’t own Parade, Sign ‘o’ The Times, Lovesexy or many other amazing Prince records. So I feel like I should really get them before I move on to the soundtrack to Prince’s worst movie (which is really saying something if you’ve seen Under A Cherry Moon).
The last track is actually two tracks according to the bootleg DJ record I ripped it from, but they segue together so seamlessly that it felt pointless to split them up. “Sign” takes up about the first four and a half minutes of the track, and then its nothing but classic Prince mixed together for 12 minutes straight. It’s a bit manic at times, almost someone is switching between an endless number of radio stations that are all playing Prince at the same time (oh man, how awesome would that shit be?) but it’s a fun listen. I can’t image any DJ ever played this in a club though, it’s entirely undanceable.
Sound Museum Towa Tei Rar Files Free
Was (Not Was) Walk The Dinosaur (The New York Dangerous Version) Walk The Dinosaur (Bruce’s Prehistoric Dub) Walk The Dinosaur (The Debunking Of Uri Geller Mix) Walk The Dinosaur (7″ Version) Okay, I have to get this out of the way before I talk the song proper: “The Debunking Of Uri Geller Mix” easily has to be the best name of a remix I have ever seen. It dethrones Erasure’s “Chains Of Love (Truly In Love With The Marx Bros.
Mix).” I love it. It makes no sense at all. Anyways, where was I?
Oh yeah, this stupid fucking song. This song is not stupid. I love this song. Did you know it’s about nuclear war? Damn straight. Was (Not Was) was (not was) (sorry) dropping some deep social commentary on your ass, it just happened to be disguised as a silly dance craze. That being said, the world probably didn’t need a seven-minute mix of the tune. Which is what the first mix is.
One can only take so many “Boom Boom Acka-lacka-lack-booms.” The awesomely-named Uri Geller mix does mix things up a bit though (no pun intended) and succeeds in justifying its existence just by its sheer weirdness – of course one could probably say the same thing about Was (Not Was) and their entire career. If these mixes interest you then I suggest you check out either their 2010 compilation Hey King Kong! Or the expanded edition of their debut album Out Come The Freaks.
Both feature some pretty insane material that might blow your mind. Their really early stuff was all amazing. I finally got all the records from Japan and China cleaned and I’m intent on plowing through them as fast as possible. If I listen to as many as possible for seven days a week, I think I might be done by 2014. Did I mention I bought a lot of records in Japan? Ironically, none of tonight’s music is from those records.
Madhouse 6 6 (End Of The World Mix) 6 and 1/2 I’ve written about Prince “associate” acts before. A while ago I did a quick post about The Family, a band that was pretty much just Prince save for a different vocalist (and even that’s debatable).
Then a few months ago I posted a tune by Mazarati, a band that was more independent than other Prince associates, but was still heavily guided and controlled by The Purple One. Madhouse is another Prince associate act, albeit not as well known as those groups or others like The Time.
That’s probably because while those acts were just extensions of Prince’s already successful funk/pop sound, Madhouse was an entirely instrumental jazz act with some funk influences. That’s not the kind of act that sells records.
Madhouse released just two albums, both of which came out in 1987. The first, called 8, was pretty much nothing but Prince, with longtime Prince collaborator Eric Leeds contributing some sax and flute parts.
The second album, called 16, was more of a group effort, and featured Shelia E on drums and another longtime Prince associate, Levi Seacer, Jr. Apparently there were at least two other Madhouse albums recorded, both called 24, but neither have ever seen the light of day (a common story when discussing Prince). Bootlegs are out there though, for those who are interested. (By the way, all of this is “alleged” I have found no proof documenting any of this, and all the articles I can find online about Madhouse are completely without credible citation.) I’m going to be honest, I bought this 12″ single just because I knew it was Prince. I really have no interest in jazz fusion, and while I like these tracks, especially the remix, nothing on here really changed my mind.
It’s a catchy tune, with an obvious Prince/funk edge, but I’d be lying if I found it especially memorable. Still, I think this kind of thing, a top-secret song by a super-famous artist, is fascinating, and it’s worth hearing once if for that reason alone. Echo And The Bunnymen Lips Like Sugar (12″ Mix) Lips Like Sugar (Dub Version) I think that “Lips Like Sugar” is Echo And The Bunnymen’s best song. A lot of people disagree with me, but a lot of people can go to hell. I could dance to this song till my feet fell off, and I’m a sucker for a good new wave love ballad. So you all can take your “The Cutter” and “The Killing Moon” suggestions and cram it.
Yes, they’re great songs, but they’ll never hold a candle to this one for me. The 12″ Mix is nearly seven-minutes long, and since we’ve already established that I could listen to this song all day and all night, I’m a fan of this extended mix. Shit, I wish it was even longer. The dub mix is a dub mix, and I’m including it for the sake of being a completionist. The 12″ single from which I took these songs had two additional tracks. One was the single mix of the song, and the other was the b-side “Rollercoaster.” Both of these are available on the still in-print Echo box set Crystal Days, and I highly recommend you pick that up.
Towa Tei Discography
Not only for those tracks (“Rollercoaster” is the secret best Echo And The Bunnymen track!) but for additional great rarities, including a haunting nine-minute version of “The Killing Moon” (woot!) and an awesome live cover of The Velvet Underground’s “Heroin.”. This blog is intended to shine light on music that has been unjustly lost through the years.
If you can find the stuff here, buy it. Songs are only available for a limited time. If you own the copyright to anything here, email me at lostturntable AT yahoo DOT com and I will have them removed.
RANT For the love of God don't leave random requests in my comment section. If I have it, I'll post it here eventually, nothing you say is going to make me buy a record you're too damn lazy to find yourself. Finally, DO NOT LINK DIRECTLY TO ANY OF MY FILES. Old Posts Old Posts. Search.
update: album 'Big Fun' (2009)Big Fun (2009)
Label: Columbia Music Entertainment
Cat#: COZP-350~1
Format: CD
Date: 2009
Style: House
Label: V2 Records, Inc.
Cat#: VVR1034132
Format: CD
Date: 2005
Style: House, Breaks, Pop Rock, Downtempo
Label: V2 Records Japan
Cat#: V2CP 248
Format: CD
Date: 23 Nov 2005
Style: House, Techno
Sound Museum Towa Tei Rar Download Full
Label: Kitsuné MusicCat#: KITSUNÉ 001
Format: 12'
Sound Museum Towa Tei Rar Download Pc
Date: 2002
Style: House
Label: EastWest Records GmbH
Cat#: 8573 88934-2
Format: CD, Maxi-Single
Date: 2001
Style: House, Drum and Bass, Funk, J-pop
Label: Akashic Records, EastWest Japan
Cat#: 046, AMCT-4567
Format: CD
Date: 24 Oct 2001
Style: House, Acid Jazz, Downtempo
Label: EastWest
Cat#: 8573-82962-2
Format: CD, Album
Date: 2000
Style: Nu Jazz, Leftfield, Drum and Bass
Label: Arthrob, EastWest
Cat#: ART021CD1, 3984-25333-2
Format: CD, Single
Date: 26 Oct 1998
Style: House
Format: 3xCD
Style: Acid Jazz, Downtempo
Label: EastWest Japan
Cat#: AMCY-2303
Format: CD, EP
Date: 25 Jun 1997
Style: House, Downtempo, Drum and Bass
Label: Warner Music (Australia)
Cat#: 3984-24740-2
Format: CD, Maxi-Single
Date: 1997
Style: House, Drum and Bass
Label: Elektra
Cat#: 66141-2Format: CD, Maxi-Single
Date: 1995
Style: Lounge, Acid House, Techno, House
Sound Museum Towa Tei Rar Download Mediafire
Label: ElektraCat#: 66098-2
Format: CD, Maxi-SingleDate: 12 Sep 1995
Towa Tei Sound Museum
Style: Rhythm and Blues, Downtempo, Tech HouseLabel: For Life Records,
Cat#: FLCG03004, DA-339
Format: CD
Date: 1994
Style: Downtempo, Latin, Trip Hop